Just hearing the first four chords of the opening bar of the Beethoven Sonata No.31 Op.110 instinctively gave an impression of a performance by a ‘seeker of musical truth’, but with the online streaming it gave the stoic musical stance more closer observation. https://mostly.jp/index.html​

Enjoy the concert at your most convenient times and repeat your favourite sections as many times as you like. It will give you an attractive alternative to live concerts. Enjoy the two concerts from this spring via archive streaming. Breathing life into Beethoven and Chopin piano sonatas. https://www.ongakunotomo.co.jp/magazine/ongakunotomo/

...In the adagio movement, the delicate key strokes delved deeper and deeper and the pain became excruciatingly real. It was also evident in No.32 (Beethoven). https://ongakugendai.com/2021/05/12/ongen-vol-51-no-6/

We await with great anticipation of how Megumi Fujita will inevitably grab and keep hold of the hearts of the audience, in this upcoming Recital in Osaka on 4th April 2021. https://www.kansai-opera.co/blank-2​

I have finally found how to recreate and convey the music I have in my head, and hope you will savour with me the core of its magnificence of these master pieces.

https://ebravo.jp/

'It's a demanding programme, but I am not nervous at all!' Having completed successful Chopin 24 Etudes Recitals in 2017, Megumi Fujita who made her name with her unique performance technique embarks upon series of Recitals in Tokyo and Osaka in March/April 2021.

https://www.chopin.co.jp/month.html​

Megumi Fujita, well known for the 'Chopin Etudes for everyone' masterclasses embarks upon a recital featuring the last two Beethoven Sonatas and two Chopin Sonatas. 'When I was trying to decide the repertoire for the second half, I noticed the beginning of the Chopin Sonata No.2 resembles the beginning of Beethoven's No32 Sonata. To me, Chopin's Sonata No.2 does not feel complete. It feels to me like there's something coming, rather like the ending of the Revolutionary Etude.... https://ongakugendai.com/2021/02/19/interview-2/

A Recital delving deep into the core of Beethoven and Chopin. 'When I was a child, I felt the two sonatas were an inseparable set. This will be my first time performing both sonatas in pairs, without a break.' Megumi Fujita has chosen a demanding programme for her Recitals in March and April. She said all this came after a long and laborious road ...

http://mostly.jp/artist/archive/vol103.html

The pure sound and interpretation, the cumulative result from decades of self searching. Piano Sonatas defined by matured pianism. The sound naturally carved out by being completely at one with the composition. How the highly acclaimed UK performance of the complete Chopin 24 Etudes in one sitting - without a break - paved the way as the imperative tool for forging musical expression. https://www.ongakunotomo.co.jp/catalog/detail.php?code=032102